Mopar Euronationals 2015 PICS. An A-Z of POWER and MIGHT

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Lucky
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Mopar Euronationals 2015 PICS. An A-Z of POWER and MIGHT

Post by Lucky »

Well, it's that time of year again, time to cleanse ourselves in the righteous purifying excess that is American Muscle. The Mopar Nationals are not just about Mopar, either, so given the inclusive nature of the gathering, I thought it might be fun to do an Ay to Zee themed sorta thread... partly cos our cousins from over the Pond love a nice Ay to Zee Primer so it seems appropriate, partly cos that's how my Photobucket arranged the photos, partly cos I can't think of any other convenient way to theme it and partly cos it's dull just chucking up a random load of photos and hoping people take the time to peruse them rather than put the pointer on "scroll down" and leave it there.

So, let's see how it goes, shall we? Might expect a slight problem finding anything to fit when we come to "X", but y'know, nuttin ventured...


So, A is for...

AMX. The American Motors Experimental (marketing division spelling fail there) was a bold step for AMC at the time, given that the short wheelbase came from making it a strict two-seater, and thus arguably the only domestic product it was in direct competition with was the Corvette. Errrm... Mind you, the little car with the big heart (up to 390cu in V8s) was a potent performer. A specially modified pair set several speed records, including posting 189mph at Bonneville! This example has some forced induction going on, which must make it entertaining

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A is also for Apache, the market name for Chevrolet's Task Force pick ups. The white one especially was a beautifully clean and bright joy to behold, especially as we saw it on the M1 on the way oop t'Pod, and I can safely say it's the best tow vehicle I've seen in a looooong time

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A is also for Air Grabber, the hoodscoop fitted to some Plymouths such as Roadrunners. Operated by a big vacuum actuator, a lever on the dash would cause the flap in the hood to open. The aperture sealed direct to the aircleaner housing below with a big rubber seal, and thus opening the Air Grabber fed cool air direct to the carb intake. They also in later years had a natty sharks-mouth decal

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And apparently, A is also for Austin. Oddly. No idea what model this little gasser van is based on, cos I struggle to tell a Westminster from a Cambridge to be honest. Funky though, innit?

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B is for Bandido, a delightfully zany dragster that makes a great noise and goes stupidly fast. Which, I suppose are the two main things you look for in a dragster. Loving the transporter... "Horses". Oh yeah, very much so

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B is for Barracuda. When first conceived, it could be argued that this little Plymouth began the whole "pony car" thing, since it pre-dated the Mustang to market by a matter of weeks. Plymouth basically took the humble Mom's Taxi Valiant and shoe-horned a frisky engine into it; the archetypal muscle car recipe but of course the Ford became the "Hoover" of the scene, the brand name by which all others were judged. And to be fair to the little A-body Plymouth, early styling treatments were... well, shall we be kind and say "awkward"? As shown by this '65, famously modelling the world's biggest piece of automotive glass at the time!

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By '67 the styling had toned down and become a bit more, well, normal. And this one presumably doesn't have the stock 273 under the hood, pulling wheelies like this

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And this '68 is stylish. Almost. As I've often banged on about, one of my favourite things about American cars is the model branding that was so carefully contrived by the designers. I love little touches like the barracuda fish badges

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B is for Bel Air. Originally Chevy's new concept was a trim level but it wasn't long before they saw the potential and it became a model in its own right. From '55 it was known as the "Hot One" and was the mainstay of Chevy's full-size model range, selling by the gazillion. Offering just about every option you could think of and a few you probably couldn't, what didn't change was that the platform offered style, sophistication and even good handling (all things being relative, of course). The '55 is recognised by it's allegedly Ferrari-inspired "egg-crate" half-width grille. Most of the examples on the day we went up the Pod were properly modified dragsters in superpro or promod classes.

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But of course, there were plenty around, so it was cool to see a matching pair mooching around in the show and shine paddock. So yep, B is still for Bel Air...

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'56 brought a few stylistic upgrades, such as the full-width grille and different trim packages. As with many of the flagship models of the mid-50s, rocket age stylig motifs were very much the order of the day

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B is still for Bel Air. By the time of this '64, much of the shock and awe and bonkers style had ebbed away. The easiest way to tell this from the same year of Impala is by the twin rather than triple rear lights. And the fact it has "Bel Air" written on it, of course

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B is, unexpectedly, for Bentley. I never got a chance to track this down in the pits and see if it still has VW power under the bonnet or if it's had a Yank heart transplant. See above; it made a great noise and went really fast. Good nuff

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So, [deep breath] C is for

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...after Camaro...

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...after Camaro...

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....after Camaro! Thousands of the things!

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which is no bad thing, really. I like a nice Camaro as much as the next man, and there were certainly plenty to choose from. I've never been insanely fond of the 2nd gens aesthetically but this Zee Twenny-Eight went some good way to persuading me the error of my ways. The fuel-injected setup under the hood was nothing short of awesome

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and if that didn't flick your switch, there were plenty of serious weapons that started life as Camaros but now were capable of anything down to high sevens on the strip

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But if it were down to me, the one I'd take home is a neat little understated '67 with all the right stuff... non-daft wheels, bumblebee stripes and RS pack. Gotta be hidden headlights, thanks

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C is not just for Camaro, of course (though you'd be forgiven for thinking otherwise). C is also for... errrm.. Capri. How'd they sneak in?

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Pontiac of course are not Mopar. But then we've already had GM offerings ...and even [whisper it] F*rds... so why not? C is therefore for Catalina

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This '60 model is still hanging over from the Fifties with preposterous fins and strakes and bulges and oooooh, just stuff. I love it. I especially love the semi-translucent steering wheel!

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C is for something a bit unusual. How about a Buick Century? Another one of those model designations that changed beyond belief throughout a ridiculous length of production. Ridiculous? Oh yeah; how about 1936 to 2005? And we thought the MGB did well! This '73 model was a GM A-body occupying the mid-range of that forgotten marque Buick's ouvre. With the demise of the Skylark model, the Gran Sport packages opened up the Century to some serious performance options, making this a rare and potentially very potent departure from the norm. And why the Century nametag? It was the first Buick guaranteed to break the ton, way back in the 30s when that really meant something!

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Right then, it must be time for some proper Mopar then? As ane fule no, Mopar has come to mean any performance car from the tri-stable of Dodge, Plymouth and Chrysler, a word derived originally from the aftermarket MOtor PARts arm of the parent company. Somehow, much as we (well, I) love all American Muscle, there's just something that little bit special about Mopar. And you know you're in for a good day when trundling up to the show through the drudgery of the average speed limits on the M1 through the darkest hole in civilisation yet discovered (also known as Luton) you see a Plum Crazy coloured '71 Challenger and suddenly the world is a much better place

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So yep, C is very much for Challenger. This year it seemed to be the voiture de jour, with loads of the things in every imaginable colour and flavour. And that's possibly no surprise, since Chrysler brought the Challenger to market in 1970 with the avowed intent of taking on the Mustang and Camaro head-on... and to that end, the Challenger could be ordered with just about any engine spec in the entire Chrysler range as well as a truly bewildering options list. (And yes, there was technically an earlier Challenger in the late 50s called the Silver Challenger, but it was a weird bulbous cruiser blancmange based on the odd Coronet platform of the day. For the purposes of this thread we're only bothered about the '70-on E-body platform). Shall we start at the beginning then? C is for 1970 Challenger. This one does wheelies

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while this one just sits there looking stunning. Funnily enough, the steel-with-trim wheels would have been the base option but now look right proper. 440 six-pack was a serious engine option. 440 is the cubic inch engine displacement... a mere 7.2 litres in new money. The Six-pack was a three-carb setup with twin chokes, so that in normal running only the central carburettor fed the engine in a tokenistic gesture to fuel economy. Floor it, and the other two kicked in, giving warp speed capability

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The SE package is a rare one to see over here, as modelled by this '70 car. It stood for Special Equipment, and leaving aside the engine and trans specs, the easiest way to spot one (aside from the badges, doh) is the small "Formal" rear window and the roof-mounted console with light and interior function controls. This one has the added bonus in being painted one of the best ever automotive colours, C7 Plum Crazy

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By '72 Dodge had realised offering every option under the sun and a few more besides was not only a good way to go bankrupt, but it also made for a nightmare running scheme on the production lines and thus cut back massively on Challenger options. Even the iconic Shaker Hood was deleted (where the top of the aircleaner poked through a hole in the hood and could be seen "shaking" to the pulses of the engine). However, it was still available when this '70 was built, and thus seems even more inexplicable how it ended up with this thing

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Although well received by the car-buying public, the press disliked the Challenger and even by the end of the first year, sales were dropping. Sadly, Dodge had simply left it too late to bring a proprietary version of the long-running Barracuda into the muscle car market... the market was already drying up. Although it's a relative term, the American market has always afforded sales numbers that any European manufacturer could only dream of, and the 79-odd thousand sold in the first year is hardly insignificant. By the time this '71 hit the streets, the muscle car ethos of yearly styling updates to keep the marque fresh and emphasise to your neighbours yours was newer than theirs was well established.

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Although the '72 re-style turned as many people off as on, with its very depressed sad-face guppy grille. However, this sparkly white one makes a strong case

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Despite a lift in sales figures in '73, the writing was on the wall for the muscle car, and the fuel crisis hammered in the final nails. The Challenger died in 1974. Glossing over the ersatz attempt to resurrect it in the late 70s on the badge-engineered Mitsubishi Galant platform (and it's best to just blank that from your memory if you possibly can) it wasn't until 2008 when the stars aligned again to make a muscle car not only desirable but also socially acceptable again. And thus the Challenger was re-born, with styling absolutely true to the original and all kinds of performance options to tickle the fancy, most notably the new fuel-injected Hemis. Add in heritage Special Paint colours such as the old favourite Sublime, and she's a winner

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And who could resist the charms of a 370 Hemi dressed in Furious Fuchsia?

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So now that C has finally finished being for Challenger, why not stick it onto Charger instead? You know you want it

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And by good Gawd dang, there were plenty enough! The legendary B-body bruiser started life as a fastback beastie in the 1966 model year, rose to stardom in a meteoric trajectory, featured as iconic participant in the most famousest car chase in movie history, went on to be horribly killed by the good ol' Duke Boys week after week, hit middle aged bloat and finally tailed away into flabby, mumbling senile obscurity all in a short order of 11 years. A bit longer than it took Jim Morrison then. This '67 shows the vestigial start of all the cues that would make the car such a legend; the in-your-face slatted full-width grille with hidden headlights, the swoopy rear sheetmetal and fastback, the huge, long hood hinting at the phenomenal grunt lurking beneath. It was all just slightly awkward and not-quite gelled together yet, a bit like a kitten whose paws are too big and ears are like sails.

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By '68 it had grown into its ears and paws, though, and taken on the shape that every thinks of; ask a child to draw a muscle car and this'll be what you get. For me, it's the purest Charger, especially the full-width toothy grin and the quad round rear lights

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In 1968, Dodge sold 96 000 Chargers, but they had failed to beat the massive Ford Torino Talladega and the Mercury Cyclone Spoilers on the high-speed banked ovals. The answer was the Charger 500 (named in honour of the Southern 500 race). Wind tunnel tests had shown the standard Charger body suffered from terrible rear lift due to the buttressed rear screen, and horrible drag due to the full-width grille so the Charger 500 addressed these problems with the sketchy bodge-over of sticking in a Coronet grille and flushing the rear window (often hiding the hasty metalwork with vinyl roof skins) These measures were taken much further a year later with the preposterously-styled Dodge Charger Daytonas, and later the Plymouth Superbirds.

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And C is still for Charger... '69 Charger. The car that launched a million Confederate roofs and stupid Dixie horns. To be brutally honest, what I remember most about the programme was Catherine Bach's shorts. Apparently there was also a car involved, though. Split nose now is the easiest giveaway to spotting a '69, as are the funny lozenge-shaped rear lights

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I'm not even going to try to explain the Chevrolet Chevelle. Billed by its maker as "the most popular mid-sized car in the world", it certainly sold by the bucketload in various guises of Malibu, El Camino, Deluxe, Nomad and others... and at the high point of the '68 to '72 models, you could spec eight body styles, nine motor variants and four transmissions, making it a truly bewildering marque to wade through with any brevity. Let's just sit back and accept what you really want is a '69-on two-door coupe, preferably in SS flava. And while you think about that, have a '66, '69 and '71 to whet yer whistle

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C (gawd, it goes on a bit, doesn't it?) is for Coronet. Yet another of those long-running model designations that ran from early 1950s to late 1970s and really changed beyond all recognition... from rather severe and bulbous Doctor-Smith-on-call sedan to ludicrous '50s rocketship fins and then shrinking into mid-sized middle age as the entry-level Dodge on which sexier models were based (although still higher up the foodchain than the equivalent Plymouth, you understand). Dunno why they didn't call it different names, maybe they thought affection would be guaranteed no matter how unrecognisable it was from its roots. Even in the timeframe we're dealing with here, it changed pretty markedly. From the square slightly Ford Falcon look of '66

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To the more sporty look of what we'd think of as a muscle car in '68

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and then the mad double-snorty snout thing going on with the '70

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C (yep, still) is, surprisingly, for Cortina. There were plenty of the li'l British Ford that have had heart transplants and can now rock with the best of their Stateside cousins. The estate was crazy, we all love a startlingly quick wagon don't we? The tigerish MkIII really showed off just what a mini-musclecar the shape was; squint and you could be looking at a 'cuda or Camaro. The MkV, not usually one of my favourite things with its squared-off... well, everything... had one of the zaniest carb/intake setups you'll ever see

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C (oh, Gawwwd, will it ever end?) is, of course, for Corvette. The evergreen American version of what a sportscar should be is now into its seventh generation and its senior citizen 62nd year was well represented as you'd expect. I couldn't find a first gen model to show you, but we'll make up for it by starting with this rather special C2

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Yeah, OK, you say, it's a tidy coupe with a nice big blower stuck to it. Why so special?

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well, the answer lies in a surprisingly subtle (for an American car) wing ... sorry, fender... badge bearing just two little words

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Not many people took up the factory-optional fuel injection setup when they ordered their new 'vette back in 1967... partly because the American car buyer was pretty conservative and took a while to adapt to new techs, partly because it wasn't actually all that good or reliable but probably mostly because it added the best part of $250 (yep, that much) to the purchase price and was actually about 50bhp less powerful than some of the traditionally carburetted bigger engine capacity options. And back then, no red-blooded American male was interested in that sort of penalty in the traffic-light dragstrip bragging bars, even if it did raise the fuel economy to the heady heights of 20mpg on a run (yep, that much). From '56 on the C1 models, the fuel injected version had been the most powerful (at a 12% premium), but the introduction of the 396 big block on C2s meant the "fuellie"s days were numbered, making this a rare old beast. And nice to see it (slightly) original, albeit with a gargantuan hood ornament

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This C2, however, is a very different animal! Not much originality left here!

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The C3 generation had got all steroidal; bulges and high sharp wings and vents and strakes and hood power bulges and .. oooooh, just stuff everywhere. And some might say, all the better for it. If you're going for some benchmark of excess, you might as well at least make it excessive. Graphics are always a matter of personal taste but for me... well, I'd leave it, ta

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There might have been C4 'Vettes around but nobody knows because they're the forgotten generation of Corvette, and no-one cares. In fact, they're the equivalent of the homeless tramp begging for dogends outside the station; no-one even sees them. They might as well be painted bright pink with a Someone Else's Problem field erected around them. People would bump into them, stub their toe and ten seconds later wonder why their toe was sore. However, we did get to spend some time in the company of this C5 on the trek up. It made an absolute orgasmic noise, although lost many brownie points by having bright yellow wheels (and the driver had a matching yellow baseball cap despite being about seventy. This is not a Good Thing). But it did sound brutal, so have a pic

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Another generation skipped, it seems that C6 owners are not the kind to hang around converted airstrips and watch brash hoodlums hurtle towards the horizon. Or a quarter of a mile away, whichever comes first. There was a gorgeous example of the new C7 however, which I like very much a lot. Especially in evil black. My favourite bit is still the resurrected Stingray nameplate and the cool little wing badge. Opel circa 1973 called; they want their fish back...

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'C is for 'cuda. And nope, not a typo. By 1970 the Barracuda stopped being based on the Valiant and was frankly much better for it. The new E-body platform was only offered in coupe and convertible, and though it was shared with the Challenger there was no commonality of sheetmetal at all and in fact the 'cuda managed to be a few inches shorter than her sister as well. The Barracuda and Barracuda Gran Coupe were offered in all kinds of relatively poverty-spec trims and even, shame of shame, with straight-six motors. The 'cuda had no such frailties; it was a pure performance package and came with small block v8s right up to big blocks like the legendary 426 Hemi and 440 six-pack. And though it never achieved the fame and fortune of her slightly more famous sister... the Challenger of Vanishing Point for example... and despite the fact that Plymouth was supposed to be the slightly more entry-level... OK, cheaper... arm of the Mopar stable, there's just something about one over the Challenger for me. Take for example, this lovely '70 with iconic Shaker Hood

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...or this retina-damaging '71 in the Plymouth equivalent of Dodge's Sublime... same paint, different name. Lime Light, in fact. See what they did there?

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This '71 was so monstrous off the line I made a right ricket of trying to get it in-focus and shake-free

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By the time of 1973's dying days, the end was nigh. The styling had been blunted by federally-mandated safety bumpers and the big-blocks were discontinued due to the impossibility of meeting new emissions regs (sound familiar?). The Barracuda and its ansty cousin the 'cuda finally limped into oblivion in April 1974, the end of an era. This '73 stands right on the brink, and we shall not see her like again. Sad times

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Re: Mopar Euronationals 2015 PICS. An A-Z of POWER and MIGH

Post by Lucky »

D... finally... is for Dart. Funny, really, that when Daimler wanted to bring the unfortunately-styled SP250 to market, they originally wanted to call it the Dart, and this was blocked by Chrysler as they already owned the name in automotive context. What are the odds of two such gruesome cars sharing similar depressed-fish looks fighting over the same name? I mean, either of them in a speed dating session would have the mumsy librarians and frustrated housewives flocking to Quasimodo's table in relief

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D is also for... drum roll... diesel! Oh yeah, how about this twin-charged monster with plumbing like a camel's eighth stomach? The thunderous amounts of smoke it belched out on the launch (whilst I utterly failed to get a photo, like a total retard) was spectacular and highly entertaining.

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And D is for Duster. Based on the four-door Valiant (remember them? Parent of the funny-looking early Barracudas?) the Duster gave a semi-warm compact car option to the cash-strapped wanting a muscle-car-lite driving experience. Thus they tended to come with humble trim levels and relatively feeble motors (albeit up to a 360 cu in). What is special about them is that Plymouth had a mad moment in the marketing finalisation meeting, and threw some of the oddest names imaginable at them. Thus the performance models with 340 or 360s were Duster "Twister" with a little tornado decal, but there were also Gold Dusters, Silver Dusters, frankly unbelievably a Feather Duster (a fifty-dollar package that was actually amazingly wide-spread in what it offered; aluminium replaced steel in body panels, hood and suchlike, a different axle ratio, single barrel carb, different distributor, and a re-worked exhaust... all of which took nearly 200lbs off the weight of the car and returned an undeniably impressive 36mpg on a run) and my own personal favourite, the one where the rear seat folded to make the back into a large load bay, called the Space Duster. This is a '73 and I liked the paint

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E is for... well, the E-zee Posse once sang that Everything Starts With An E, but that was in another life and perhaps not strictly relevant. When it comes to American muscle, actually almost nothing starts with an E. Thankful indeed we are, then for the El Camino (not sure why that came out in the style of Master Yoda, but I can't be bothered to re-type it now). Anyway, yes. El Camino. A loose translation of "the Road", Chevy's performance pickup wasn't really a market before some unsung genius saw the potential in scooping the back out of an Impala and leaving the rest untouched. The concept later moved onto the Chevelle platform, and by the time of this '70 model, the idea was irrevocably implanted in the truck-buying psyche. It's a concept still alive and well today

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1967 saw a glut of new models hit the markets, and power car enthusiasts had never had it so good. Just as Ford went upmarket from the Mustang and unleashed the Mercury Cougar, GM went via Chevy and took their Mustang opponent Camaro up a notch, chucked in some parts-bin motifs such as GTO slit lights and integrated bumpers, stuck a Pontiac badge on it and some Native American imagery et voilà...

F is for Firebird. I love the early ones, I have to say, with their perfect Coke-bottle (hides under desk from the Cliché Police) proportions and neat styling touches. The aforementioned GTO rear lights are a masterful treatment. I can't offer you a '67 but the '68s were almost identical, so have a couple of them instead. The blue one was jaw-droppingly pretty, the orange one also jaw-dropping but for different reasons

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By 1973, things were looking grim indeed for performance enthusiasts and indeed the Firebird. However, Pontiac soldiered on with their muscle car. The Formula 400 might have offered a mere 250 horses from the 400cu in motor under it's twin-snorkel hood... a shadow of the 330 it boasted only three years previously... but at least Pontiac were trying, at a time when almost all other marques were shrinking from performance like a vampire from the sun. If you could manage the top-line Trans Am, then the thinly-disguised race engine that was the 455 Super Duty could be yours. And to think that at first GM had been unwilling to develop the Firebird in case it stole sales from the 'Vette! Soon it would be the only beacon of performance righteousness left in a grey ocean of mediocrity

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By the time this '78 model crawled out of the mire of emissions and safety legislation, the classic sugary carbonated beverage of your choice container styling had long since vanished, replaced by a swooping, sharp-edged shape that owed as much to the 5-mph impact absorption demanded by law as it did to aesthetics, and the engines were asthmatically restricted vestiges of their former glory. But hey, at least you always had the Bandit... and though the SE black T-bar with gold flaming chicken decal looked great on-screen, it wasn't actually much of a performer without the Hollywood magic. But, weirdly, the public didn't appear to care that it could only manage a tragic 16-second quarter and nearly 90 000 Firebirds sold in 1967. The following year would be the greatest ever for Firebird sales, topping 180 000! It would seem that the car-buying public still had a candle burning for the muscle car

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F is also for [whisper it] Ford. I guess we have to accept that they're gonna turn up to a Mopar event and hang around at the back, unloved like the kid with the spots and ginger tufts of hair in his ears at the high school prom. Apologies if that was you. They didn't have proms when I was at school, so that was one growing-up ordeal I was spared. Anyway, I'm usually extremely democratic in my car tastes... I tend to find something to like in almost everything... so I for one love to see some old blue oval stuff pootling around. And there are always going to be some hotrods at a "do" like this, so have a '31 whose pilot seemed worn out by the admittedly excessive queue

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...a '32 that looks like Al Capone's missus would have used it for popping down the laundrette in [editor's note; this joke is probably so subtle it might actually not even exist at all]

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...and another '32 in a rather lighter motif, albeit with Mercury badging on it. But we're ignoring that

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F is also for Fury. We saw this nifty '64 at Toddington Services (happening holiday destination for all the coolest cats) but the owner had the breakdown services in attendance, so it seemed poor form to get in their way too much. The '64 Fury came at the end of a downsizing of the line, which proved unpopular with buyers. Before and after the range had been a sporty full-size vehicle, much more to taste- albeit the mid-size shrinkage did introduce the Sport Fury which remained a potent performer both on the street and the showroom until the end of the 60s

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G is for Galaxie (of course). Hard to believe nowadays that this was once a mainstay of the racetracks, and not just in an American speedbowl context. Some enterprising souls realised that the Galaxie would qualify for saloon racing over here too, and thus we have the utterly comical sight of them monstering Mini Coopers on the straights that then clamber all over the gargantuan Ford in the corners like bees on a bear. Oh yeah, this was definitely a car where size mattered, and that went for the engines too... some of which even marketed themselves as one horsepower per cubic inch. And that's a lot

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G is for GMC... which is sometimes easy to forget. GM were so good at marketing their different divisions and keeping their identities separate and distinct that it's sometimes easy to overlook that there was a single corporation behind it all. Their trucks especially are rarer over here than the equivalent Chevy or whatever, and somehow more exotic for it... if that's the right word for a truck

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G is for Grand Marquis, which was probably one of the rarest cars in the whole place... and one of the most depressing. I suspect that this tragedy will be one of the last things for which the once-glorious Mercury marque are remembered; at a time when all the subsidiaries are being murdered one by one surely it won't be long before Ford let their mid-market brand go the way of Plymouth and Pontiac and all the others. Anyway, this utterly anonymous sedan is essentially a Crown Victoria with different clothes... the Crown Vic being the mainstay of police cruisers and taxis across the 'States. And that's what it's come to; great as a tow slag, wretched as an interesting car in any other context. Sad times.

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G is for GTO. Ahhh, I needed that!

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The GTO was an inspirational vehicle in every regard. It represents a triumph of passion over The Rules, for a start. Everyone knows the story of how VW's Golf GTi was developed out-of-hours by enthusiast engineers trying to build the performance model they all desired; well, Pontiac did it first. In fact, they really did do it first; the GTO was the original muscle car, the template that all others followed, even the Mustang... though it's subsequent meteoric sales success following Ford's clever media blitz tends to eclipse the GTO's originality. Anyway, the GTO came about from taking a mid-size Tempest platform and shoe-horning a big-cube lump into it, this at a time that all the manufacturers had agreed to a ban on corporate involvement in racing and Pontiac itself had an internal limit on mid-sized cars of the 330cu in engine. Persuading the top brass that the GTO was a performance package option on the Tempest and thus could be sold without contravening corporate policy was a masterstroke, as was giving it exotic and historic overtones by naming it after the legendary Ferrari Gran Turismo Omologato versions of the 250; it lent the hot-poop Pontiac the mystique and kudos of a limited-edition homolgation special.

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There were three examples on the day, all in super-cool black and all from the period that personally blows my skirt up highest. You've just seen the '68 model, so we have a '69 and a '70 to follow. These were by-now well-established into the Pontiac company "look" with the split bumpers (properly integrated, not like the Firebird ones) and had kinda ... well, pulled themselves together from the often slightly haphazard styling that occasionally blighted the earlier models from '64 when they first appeared. By now, GTO had comfortably outgrown its limiting package-option status and become a model in its own right, and was designed as such from the start and it shows in just how goddamned good they look. We don't get enough cars with oxblood-red interiors these days. Nor hood-mounted tachos, for that matter

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G is also for...

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The GTX was a brilliant idea spoiled by its own maker. It was conceived by Plymouth as a "gentleman's muscle car" on the Belvedere platform. Coming with the "Super Commando" 440 cu in as the base engine, it was very much a monster performer but with some element of style and grace. And if the 440 wasn't mahoosive enough you could spec one with the "Elephant"; the legendary 426 Hemi. They came with all kinds of options like the Air Grabber hood scoop we talked about earlier (you can see both sides in these pics of this excellent '70 model, including the huge actuator) and this really rather superb gold interior. But then Plymouth went and introduced the RoadRunner on the lesser Satellite platform, and it stole sales directly from the GTX. The gentleman's choice ran a mere five years, from '67 to '71, before succumbing to the ignominy of becoming a trim option on the Roadrunner.

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H is for Hephaestus, which you clearly don't need telling was the Greek god of the forge. And also this rather excellent old-skool dragster which is exactly what Top Trumps used to look like when I was a kid.

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I is for interlopers! There's always a few...

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J is for... well, it can only be one thing really. The most overlooked and underrated muscle car from those wonderfully perennial loonies at AMC

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It's a bit odd that the Javelin is so often forgotten, given that AMC designed it specifically to help shed their economy shopping car image. It was offered in serious performance packages, and the company entered it in both drag and trans-am racing... which it won in '71, '72 and '76. It was also a fantastic styling exercise, with the usual AMC departure from the accepted norm. Deliberately eschewing the [shudder] Coke-bottle (I'm so sorry, I know -I said it again), designer Dick Teague managed to give the car a distinct and instantly recognisable identity, even after an extensive re-style. Richard Langworth described the style best when he said it had the "wet T-shirt look; voluptuous curves with just a hint of fat"

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K, slightly surprisingly, is for Kitten. Awesome!

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L is for Ugly. Oops, sorry, I mean Lancer

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Some of the earlier Lancer models across variants such as the Coronet, Royal and Custom Royal were great-looking cars in the 50s idiom of shock and awe and rockets and fins and all that jazz. However, by the time of this '62 model, the fins and stuff were still there but it had all gone just tragically wrong. Awkward doesn't even come close, it's just... wrong. Bless its poor sad twisted little face

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M is for Malibu. Inevitably, really, given how damned many of the things Chevy churned out. One of those ones where it started as a trim level (on the Chevelle) and ended up as a model in it's own right (and is still going today, albeit as some badge-engineered Daewoo abnormality). This one had the most beautiful paint, with damascened finish in the flames that only popped out when the sun caught it just so. Gorgeous

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M is for Max Wedge... which might sound like a daft 80s DJ pseudonym, but is actually the forgotten beast engine of the musclecar generation. While everyone thinks of the legendary Hemi when they hear the number four, two, and six, there was another Mopar displacing 426 cubic inches, the Max Wedge. With diametrically-opposed carburation for decent staggerd induction, forced air hoods and extra real-world tuning by the Ramcharger drag racing outfit, the Plymouth Superstock III motor was rated at 435 horsepower and capable of thrusting their host vehicle into 12-second quarters straight off the dealers floor.

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M is for Monte Carlo. This is a replica (albeit probably finished to a better standard than Dale Earnhart's original... complete with nitrous system that's little short of a work of art) although I understand the owner/builder is looking at importing an actual, genuine Nascar from the 'States

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Lucky
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Re: Mopar Euronationals 2015 PICS. An A-Z of POWER and MIGH

Post by Lucky »

M is for... aww come on, you had to know it was coming

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There's not really anything I can write about Mustangs that hasn't already been written, and probably a lot more eloquently than I could. So for once, I'll just shut up and let you look at some nice pics. We've got a few model year iterations for your delectation and delight, starting with this '65. Shelby GT350/500s are starting to suffer from the "Cobra Effect" which is you automatically assume it's a replica; rather like "Lotus" Cortinas, there are far more Shelbys in the world now than were ever built in a factory. Which is a shame, because that sometimes detracts from the fact that genuine or not, what you are looking at is an exceptional car regardless

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'67 saw a redesign of the original, adding size (and weight) to the pony car litheness of the first models. Not that you can really tell from here!

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and '69 again added mass. By now the car was starting to be a sop to comfort and ease rather than the out-and-out performance car it maybe should have remained. Didn't stop it selling gazillions though

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This '70 Mach 1 was for sale, if you fancied it. Yours for 29 grand. Pounds, not dollars! Wowsers. Funny really that the 'Stang is now an appreciating classic, because it was never supposed to be. Ford were always selling a blue-collar product for real people to afford and enjoy, and like most American cars of the day (most days, to be fair) it was built down to a price. It wasn't made to endure but I guess we're all glad that they have, even if it means rather like MkI Escorts, they're in danger of being priced beyond the ability of their target audience to afford

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By '71, the Mustang was nothing short of gargantuan especially in dat fat ass, as this baby blue monster shows neatly. I picked up a useful tip here; the easiest way to tell a '71 from '72 is that the former had a flip-down gas cap and the latter had an unscrewable one with a horse on it. Factoid of the day!

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Some 'stangs have moved quite a long way from their roots, like this vaguely Mustang-shaped thing that's essentially the least amount of car possible draped over a much motor as possible

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This modern Mustang GT rocked big style; metallic orange with sexy glimpses of carbon showing through, dropped just enough with not-too-silly wheels. Very nice

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N is for Nogbad the Bad. He's Noggin the Nog's evil wicked uncle, always plotting to overthrow Noggin as King of the Nogs. Postgate and Firmin, the nearest thing to deity the last century produced. All hail!

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N is also, rather more sensibly, for Nova

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Originally the Chevy II Nova, they soon dropped all that number nonsense and gave the car its own name properly. Although many cars were sold to Mrs Miggins to pop downt he salon and have her blue rinse and set, even coming with (the shame!) inline four cylinder engines, the Nova and Super Nova options on the Chevy II platform gave real performance potential to the little shopping trolley, and the (then) revolutionary unibody construction with the removable front clip made it a lot easier to install your own home-brewed monster motor setups. In fact, the model is still beloved of drag racers today for this very reason, plus it's (relatively) light weight. This '67 did easily the highest wheelie of the day, rather to the surprise of it's pilot who I last saw bemoaning the creases the landing had put into the tyres

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This '68 is exactly what a period drag car should look like in my mind; Evel Knievel stars and stripes, brutal noise and ....goddamn, but I wish those turkeys with their cameras and videos would get out of the cocking way and stop buggering up all my photos

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'68 was in the middle of the third-gen redesign when the car gained a "corporate" Chevrolet face, and the year the car stopped being a Chevy II. It was now only just shorter than the Chevelle, and offered 15 different powertrain options from the factory. The front end was now even easier to modify, as the front crossmember came out entire with the powetrain. Despite this, sales were steadily falling year on year, and the more poverty-spec versions were rationalised (such as the [spits] four-pot that no-one bought anyway).

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This Yenko-badged Nova had a most excellent paintjob, clearly inspired by those Lavallee "real fire" jobs. If it had been one of the 37 real Yenko Novas, I'm guessing it'd be more likely to be in an air-conditioned enviro-tent in some Leno-style collection than sat on the hallowed tarmac of the Pod!

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O is for Oldsmobile... this '89 Cutlass might look so hideous that even it's mother probably wouldn't admit to it. I was so ugly as a child, my mother used to feed me with a catapult, but that's another story. Ahem, anyway, this Cutty might well represent the nadir of American automotive styling (or lack thereof) but that arguably matter little in a car that stonks out eight second quarters.

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O is also for One Hundred. These humble little trucks eventually metamorphosed into the Ram, which is still with us today in all kinds of strapping versions. Back in '74, however, it was still a workaday little carthorse, and I think makes a great rat truck... although I have to be honest and admit that this one is here mostly on the strength of those wheels! Continuing our occasional look at excellent model names, by the way, you could get a Dodge Dude version of these!

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P is for the Pacemaker. I gather that the reason for this name is that the driver has a pacemaker fitted. To himself, not the car. Now, I'm no expert but I'm guessing that if heart problems are a part of your life, spending a weekend doing this sort of thing probably won't be helping, but nuff respec to the fella

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Rather more prosaically, P is also for Plymouth. At first, I glanced at this ice-white 'rod and wrote it off as "just" another Ford hotrod. Then I looked closer and realised it's actually a '34 Plymouth, and what a nice change that is from the norm! It's also downright gorgeous, that paint is so crisp and clean it makes my fillings ache

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P is for Polara, which is here mostly because of its importance as a mainstay of the Dodge full-size range and so many other things were derived from it (the Coronet not the least). For years it was the top-of-the-range package, and that's made even more weird by the fact that they were almost unanimously the most hideous, deformed and spiteful attempts at styling ever to blight the Walmart carpark. In fact, they're so grotesque I can't even show you an entire one for fear of permanent psychological damage. Here, this is all you get;

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P is also for Pop. And why not, there are always a good few worth looking at. I'm not actually sure the flip-painted thing is a Pop; it could just as easily be a London Taxi but I liked the paint and the bizarre snorkel scoop thing. In fact, any of these might just as easily be Pre4fects or even Anglias, I never could tell the difference

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Q is for Suzy. I can never hear that song without thinking of the weirdness of Apocalypse Now (quite simply one of the best films. Ever. Fact.) Anyway, naysayers... yeah, it might be "just" another Camaro but c'mon, how the hell else was I going to drag a "Q" out of my orifice? Anyway, this lovely Scanadwegian Camaro has one of the best paintjobs ever, with loads of old-skool custom touches like spray-thorugh lace patterns, glitter, scallops and metalflake. Lovely. So well turned out it proves that competition cars don't have to be scuzzy, well-used and abused tools and deserves a letter all to itself. So there. And it is too one of the best films. Ever

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When the Roadrunner launched in '68, it was a deliberate attempt by Plymouth to return to the roots of the muscle car ethic. They had the aforementioned GTX, but wanted something a bit more back to basics, a bit more raw. The mid-size car had two main criteria in conception; it had to run a sub-14 second quarter, and it had to be able to sell profitably for less than $3000! Both these targets were hit, and the car went on to easily outpace the more exclusive GTX.

So, R is for Roadrunner

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The licensing of the Road Runner cartoon character from Warner Bros was a stroke of genius; of course, the strength of model identity and the owner affinity it bred was a phenomenon well understood by the manufacturers, but in the cheeky little bird, Plymouth bought into a ready-made image and imagery. They paid around 50 000 dollars for the rights, and even the lilac-coloured meep-meep "Voice of the Roadrunner" horn cost a cool $10 000 to develop, adding something like $7 to the overall price of every car. Utilising the Belvedere B-body as a base, everything related to performance was enhanced or beefed-up... everything related to luxury and opulence was chucked in the bin. Thus the early-model cars would come with plain nasty interiors, bench seats and little trim, but could easily boast a full-fat Hemi or 440 under the hood, such as this excellent '69

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By 1970 the designers were well into the swing of things, with different graphics and trim keeping the car fresh... not that the petrolheads of the day needed any encouragement.

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I didn't see this '70 run on the day, which is a real shame. I'd have loved to see under the hood, too, because I don't know if you noticed the subtle "572" graphics on the tail, but if they're true then its effect on time and space must be prodigious. Normally I get a slightly uptight reaction against cars using motors from a different manufacturer, but if this thing is indeed packing the most ludicrous of crate engines, the Chevy ZZ572 then you have to forgive it really. After all, think of what you couldn't do with nine and a half litres of sheer displacement! ... besides pass a petrol station, that is

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'71 brought a complete re-design to reflect the new Chrysler styling motifs, producing a more rounded shape. I especially love this look as it's almost undeniably what Mazda had pinned on their bedroom wall when they were sketching the RX-4. Sadly, by the time this '72 example rolled off the line, the Hemi was gone, although the 440 six pack was still an option. The writing was already on the wall for the muscle car, though, and in 1975 the Roadrunner 3rd-gen became a hateful anonymous thing of the sort that served only to appear in the background in the Rockford Files or Kojak. The Mr The King Petty-inspired paintjob is... well, inspired

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R is for Rolls. And Royce, of course

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I love this bonkers mad thing, even more so because Charles and Sir Fred would have hated it.

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And R is for RS2000. There's always one

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S is for Saleen. No, not the stuff that whales use to strain out krill, but the Corona-based tuning emporium. Started by ex-racer Steve Saleen in the 80s, he started screwing centrifugal superchargers to Mustangs, and once one of his cars won the 24hrs of Mosport, success was assured. The firm has grown into producing its own cars based on Mustang, Challenger and Camaro platforms, but will probably still be best known for it's 'Stangs. This white one gave us a musical accompaniment up the road on the way to the show

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The Satellite had long been the top trim level on the Belvedere platform, and by the time of this '72 version it was on the same base as for the Roadrunner and GTX cars, with similar inclusive, rounded "Fuselage" styling treatment. It was very nearly the last hurrah... I'm almost getting bored of typing it, but as with so many of the other great models of that most indulgent period of performance motoring, 1974 saw the death of the Satellite after ten years at the top

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S is for Scorpio... well, it used to be. Very ugly, very, very capable

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S is also for Special. Not special, which all these cars are, but Special with a capital Spesh. Like, for instance this 1958 Buick Special from a time when size mattered and if you didn't have the bling then frankly you were no-one. Actually, not all that different from now, then, except these weren't the exclusive preserve of football players and Tory rent boys. Not really by any stretch of the imagination a performance car, but a nice change from everything else around it

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S is also for Super. No, not super, but Super with a capital soup. Like, for instance... hang on, does anyone else have that funny feeling of déjà vu? Never mind... like this '69 Superbee. Based on a Coronet, the Superbee perfected the idea of selling a car stripped of more or less everything long before Porsche tried to convince you that you ought to actually pay more for one as well. Much like the sister Roadrunner, the Superbee took everything you didn't need and deleted it, offering only the highest performance drivetrains and upgraded running gear to produce what was essentially a competition car for the street. Rough and ready round the edges, its star burned brightly for three short years, after which it moved to the Charger base and then vanished in 1972. And as the speccy dude said in Blade Runner, the star that burns twice as bright burns half as long. The cars came with Scat Pack-based Bee badges and "bumblebee" striping, but the name quite simply derived from the base platform; the Chrysler "B" body.

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And naturally, S must also be for that most ultimately soup of Supers, the Superbird. Everyone knows this car, some from watching Pixar movies with the kids, some from watching YouTube clips of legendary Nascar races in the privacy of a darkened room. This was the car that Plymouth built with one aim in mind; to win. It was designed to lure Richard Petty (Mr The King himself) back to the fold, and although based on the Roadrunner, it was a completely different animal. Tuneable aero (in steel, mind, none of your fibreglass nonsense here) and monster spec meant a phalanx of these things could be seen hammering around the super speedways at nigh on 200mph along with the similar sister Dodge Daytonas. One interesting point of recognising a genuine Superbird (rare even in the day) is by the fact they all had vinyl roofs. This was because the work to streamline the Roadrunner shell was often done in a great hurry and not always to a high cosmetic standard, and the vinyl covering was a cheap and fast way of hiding a multitude of sins. This one's a replica, although it does have a crate Hemi imported specially for the purpose, so it's well worth the right of heritage

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S is for Stepside, the mainstay of working America from 1947 until 1955 when the Task Force that we've already seen Apache examples of took over. The so-called Advance Design is generally known as the Stepside, for obvious reasons, and apart from losing the split windscreen and a grille make-over in '53, it remained pretty much unchanged throughout. Straight-six, basic, agricultural but solid, rugged and dependable, it set the archetype for the utility vehicle. What it was never intended to do was set the dragstrip on fire. It's a fair bet then when your truck actually needs wheelie bars it's gone beyond hauling haybales and sick calves around

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T is for Three Hundred. One of the most confusing models ever, with the original "letter series" cars running from '55 through to '61. Then they swapped to being "non-letter series" 300s. I've tried to explain this before in one of these threads and ended up so confused myself that I ended up knowing less than when I started. Essentially, the Letter Series were so called because they appended a letter to the 300 to designate the model year changes, starting confusingly at the 300B in 1956 because the original was actually the C-300 in 1955. They then went up one letter each year (missing "I", just to be annoying) until the 300L of 1961. They then stopped bothering to append a letter each year and they became non-letter series until 1979. Confused much?

Anyhoo, they were a top-of-the-range luxury power cruiser, and since Chrysler were perpetually on the brink of fiscal oblivion, they had no choice but to share many components from other ranges. Thus, this '69 car could pass at first glance for the equivalent Charger but it's a very different animal and dare I say all the better for it. And definitely much more exclusive

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So T must also be... well, for 300. Or to be accurate, and go full circle right back to the original C-300 of 1955, this is now a 300C. Of course, to confuse things there was also a 300C in 1957 in the Letter Series Three Hundred, but for god's sake don't go there, we'll be here all night! This is the modern boulevard bruiser beloved of pimps, rappers and drive-by shootists

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T is for Trans Am. Although not strictly speaking a model in it's own right, it was the top line package on the Firebird from 1969 onwards. Ironically, despite its uprated suspension, body and powertrain and perhaps more obviously, despite its name, it was actually not initially raced in the Trans Am Series as even the smallest engine available blew the doors right off the 5-litre maximum displacement for that series! As previously mentioned, by the time this '74 car rolled blinking into the sunlight, it pretty much stood alone as the only musclecar option around... like a lone allosaurus wondering what the loud noise had been all about and where all the stegosaurus had vanished to overnight

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V is for Valiant. We've mentioned before how they donated their platform generously to other more sexy younger siblings, and indeed in Australia the Valiant was actually the Charger model range. But here is the dowdy, frumpy thing in its own clothes, even painted a sad shade of Eeyore Grey to emphasise the tragedy. And no, I have no idea why it had a horse's head in the back seat

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V is for Vanguard, as unlikely as it may seem. Best wheelie of the day for me, if only because this is exactly what you don't expect to see Standard's finest station wagon doing!

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V is for

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the car that proved Dodge (and Chrysler) actually did still have some life in them and lead in their pencil. The simple expedient of taking the largest V10 truck engine they could find and squashing it into a lithe and sexy coupe body was always going to be a winner

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W is for (snigger) Willys... although to be fair, the Americans pronounce it less amusingly than we do. In a wretched state after the War despite - or maybe because of - churning out the Jeep that made the marque so famous, Willys-Overland had no choice but to carry on flogging lightly warmed-over pre-war designs. The incomparably named Willys-Overland Americar Coupe might have had quirky and appealing looks but it came with feeble Go-Devil engines that were barely able to get out of their own way but they came with a huge advantage... they were cheap. Enterprising hotrodders wasted no time in using the pathetic engines for the one job they excelled at (mooring a boat) and threw in whatever big-cube motor they could find from another manufacturer. The Willys has been a mainstay of the strips ever since

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X is for the X-plan, the purchase option that allows Ford employees to buy into their own product at a reduced rate and favourable terms. And though it's never likely to happen, as I'm the victim of a life sentence on the railways, but were I to be in a postition to exploit it, I know what I'd be forking back my paycheque for. And it wouldn't be a 1-litre hybrid Fiesta. Mind you, I only want a Mustang if it comes with the superb horse-logo gearknob like this

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Y is for yawning orifice, partially because I liked the pic and had nowhere very convenient to put it, and partly because I didn't have anything else to go under "Y". So sue me

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And so Z (at last!) is for Zephyr. Good old Ford, god bless 'em

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Blimey, are you still here? Can't believe you put up with it this long. Well, thanks y'all for reading, and until next time, go away.
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